OM: You seem to have come at self-promotion from every possible angle. What has been most effective in putting your work, and the work of others, in front of readers?
rm: I think the most effective thing has been the fact that I don’t rely solely on one way in which to inform people. Some might notice via my email list, others might via FB or blog, while even others via Twitter. For some, it’s the physical table of books at a small press fair, whether Ottawa or, occasionally, Toronto. I often mail chapbook handouts to book fairs in other parts of North America as well, something I’ve been doing for a decade or so now. I sent fifty copies of a new Renée Saklikar above/ground press chapbook as handout at the recent Buffalo Small Press Book Fair, and fifty copies of the new lary timewell above/ground press chapbook to Louisiana, for Marthe Reed to hand out at the New Orleans Poetry Festival. I like the idea of books making it to events that I can’t, and I know if I attempt to sell physical copies through someone else, it just becomes more complicated, especially with authors that most audiences at those events wouldn’t know too much about…”