A Review of The Wigmaker, The Capilano Review


The Wigmaker

My review of The Wigmaker, by Janet Gallant and Sharon Thesen, published over at The Capilano Review. An excerpt:

Janet’s voice, embodied by Sharon’s poetry, tells us what this young black woman, poised and pretty, will endure and what will happen to her. To read the poems as historical documentation of a hidden life, a silenced voice, is to enter a dimension that forces both inquiry—how can this have happened?—and also an understanding of the reality of what many endure, behind the closed doors of a home… “


Gibson’s poetic pyrotechnics, The Ormsby Review

These past few months, before COVID-19 struck us hard, I had been reading and contemplating a remarkable book of poetry, How She Read (Caitlin Press, 2019) by Chantal Gibson. As soon as I saw this book, I knew:

  • that I wanted to suggest the poet to Lunch Poems at SFU—was thrilled when our Lunch Poems crew agreed and we were so happy to hear Chantal read from her book.
  • that this book was going to be a game-changer and sure enough, it’s been duly nominated as a finalist for a raft of book prizes:

I was therefore delighted, to be invited to review How She Read for The Ormsby Review:

How She Read Chantal Gibson

It’s a pleasure to be able to find publication space to “go deep”. Little did I know, that I’d be polishing and editing my piece during those opening fraught weeks in March as COVID-19 was declared a pandemic. Yes, that was way harder than I imagined: hard to concentrate, hard to shut out the world…. Glad and grateful, though, to have persevered, and to have had the privilege to do so. To have spent time with this compassionate, fierce, skilled poet and author.

I’ll be thinking about this book for a long while yet….

Read the Full Review Here

A glance of a thousand years, Ormsby Review

Paradise, Later Years

I wrote a very long review on this book of long poems (Marion Quednau’s Paradise, Later Years) and a version of it appeared on The Ormsby Review today:

“Marion Quednau, from Gibsons, has won awards for both poetry and prose, including a Smithbooks-Books in Canada First Novel Award for The Butterfly Chair (1987). With Paradise, Later Years, she now debuts her first full-length collection of long poems, prose poems, and lyrics, which read as individual poems. Divided into four sections, “Holiday,” “Nuclear Family,” “When the Power Went Out,” and the eponymous “Paradise, Later Years,” Quednau writes in long lines that spill almost into the middle gutter of the book, creating a flow-sensation so that the entire work reads as a book-length poem. Kudos to Quednau, her editors, and her publisher for releasing a book where every poem is long and lengthy in form and in theme…”

Read the Review HERE

Book Review: Onjana Yawnghwe’s The Small Way

I was privileged to be asked to write a review for The Ormsby Review on Onjana Yawnghwe‘s fascinating book, The Small Way. An excerpt:

Onjana Yawnghwe The Small Way“We were speaking then of necessary journeys, of the way the reading of a book might become a crossing-over into other people’s territory, for instance into those migrations that are within the smallest interiors, such as the beginning and then the end of a marriage, or of any relationship, real or imagined, and into a journey that brings us to memory, a closing-shut-open door that leads to explorations of the nature of loss.

A new and specific kind of loss is the subject of this haunting book of poem-vignettes, The Small Way, by a Vancouver writer who is also a nurse: Onjana Yawnghwe.”

Read the Full Review Here

After the Battle of Kingsway, the Bees: A Review

Many thanks to Calgary poet, editor, and Touch the Donkey contributor Nikki Sheppy for reviewing my chapbook After the Battle of Kingsway, the Bees, in the latest issue of filling Station (“the small press issue!”) A snippet:

filling station 68

Bees, not moths, figure in Renée Sarojini Saklikar’s butter-coloured chapbook, After the Battle of Kingsway, the Bees—from above/ground press. The 15-page suite is an excerpt from volume 2 of Saklikar’s ongoing long work about place and identity, thecanadaproject—from which her first book, Children of Air India, un/authorized exhibits and interjections, also draws…”

You can read the review at above/ground press HERE.